![]() 2019's Remain is an 18-foot-high kneeling female figure that evokes the ancient Buddhas of Bamiyan, which were destroyed by the Taliban in 2001. While this collection includes works from as early as 2005, the show's central piece is current. Ledelle Moe - Remain at left Congregation at right Entitled When, the installation seems to impose silent contemplation on its viewers, similar to the awestruck effect of standing in a vast temple or cathedral. Ledelle Moe, whose massive concrete heads and figures occupy the famously football field-sized Building 5, is another sculptor utilizing scale to powerful effect. Indeed, Minoliti is something like Disney for the cultural elite (that's us, dear reader!), and served on this visit as a delightful palate cleanser as we moved on through the museum. ![]() Croix exhibition is a relatively small one-room installation by the Argentine artist Ad Minoliti that more than makes up for its size by deploying great swaths of cartoon-bright colors. The meticulously crafted sculpture stands eye-high, and is dozens of feet long, with tiny details of grass, telephone wires, and, of course, the barrier fence marching along its surface. Croix's emphasis on scale is a "monumental miniature" entitled Broken Landscape IV that depicts a long, deep slice of the U.S./Mexican border. Entitled Hollow Ground, I found it very likable and, frankly, far more interesting live than it looks in pictures. Croix's sculptural illusion is effective, yet it's also obviously a physically challenging bit of installation. This witty miniature is balanced by a massive, tilting construction in the huge gallery beyond that looks for all the world like a life-size swath of melting glacier, which you can perambulate and walk under, and even poke your head up into (via some of its melty craters). Its cars are loaded with modeled tranches of tundra, neatly offering a solution to the show's titular problem. Notable in this regard is an electric train set that runs in a circle near the entrance to the exhibition, piercing a wall tunnel-like twice as it goes round and round. Croix hasn't lost his sense of humor - much of his work is quite playful, even as it confronts our pending global disaster. It also includes a great deal of smaller-scale work, covering a range of media from drawing to sculpture, installation, animation, and video, in addition to a research section that offers sketches, photographs, and other ephemera. Croix, an eco-artist committed to battling climate change by making art about the effects it can have in far-flung places, such as above the Arctic Circle. The primary temporary show, entitled How to Move a Landscape, features several monumental works by Blane De St. Need I explain that the place is huge, with nine buildings and some spaces so vast they might be better measured in acres than square feet? So it requires stamina, and a lot of time, if you want to try to see it all. ![]() On a recent (much delayed) foray, my wife and I viewed nine exhibitions (among many others), and we really had a good time doing it. But the Massachusetts Museum of Contemporary Art in North Adams is so friendly, and the art there so fresh and varied, that I believe it could make many converts of those stodgy grumps. A view of James Turrell's Into the Light at MASS MoCAĪ recent survey reported that just 13% of Americans are happy - the other 87%, may simply need a visit to MASS MoCA.Ī lot of people hear the words "contemporary art" and immediately think they can't relate (why they seem to think they can relate better to 19th-century art - i.e.
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